|
|
| |
|
|
|
|
|
|
|
|
|
|
|
"Having the right sound to cut through for solo's and important parts is crucial to Jane's Addiction. For years I have been using the same pedal, until I tried out the Body Blow. It has the perfect settings for whatever I'm looking for. Vintage, modern, all of it. It's now a great tool in my set-up."
|
|
|
|
“I like this pedal a lot. I use the pedal after my overdrive. It makes my sound bigger while retaining a tight bottom end so my sound never gets flabby. I also use it to shape my clean sound with my Strat. Roll off the guitar volume a bit and you'll get beautiful clean sound which sits perfectly in the mix.”
|
|
|
Henry Trejo…Guitar tech for Omar Rodriguez-Lopez of The Mars Volta |
"I'm so impressed with the Micro Buff. I can
really hear the difference in clarity and punch with the Micro
Buff in Omar's rig."
|
|
|
Larry Mitchell… Billy Squier, Tracy Chapman,
Robert Miraball
|
|
|
John Kurzweg… Producer for Creed, Puddle of Mudd |
"The Micro Buff brought back the body and
depth of the guitar-especially when chaining stomp boxes----it
really is a magic (majik) box!"
|
| |
|
Vic Johnson... Sammy Hagar & The Wabos
|
|
|
Aaron Schultz... Behind Crimson Eyes
|
|
|
|
| |
|
|
"Majik Box pedals are from another planet! I´ve used either the Body Blow or the Rocket Fuel on every song on the Stargazer album. They make my Marshalls sound like they are on steroids! Thanks Dave and Rob"
|